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Secondly,
much will be learned from watching other entries and listening
to the adjudications they receive. Facets of production, stage-craft,
staging, lighting, sound effects, acting techniques, new theatrical
genres, all provide ideas which give considerable food for thought
and can be called upon in future productions.
Thirdly, by entering, each company becomes part of the festival, which means
meeting other people with the same love of theatre. Insularity is broken
down, friendly rivalry and even practical help may well emerge. Your group
will become more widely known in the areas of festivals you enter.
Lastly, every group must perforce present box-office winners for their own
finances, but to grow artistically actors and directors need to keep fresh
and extend their range by trying new, unusual or less accessible work. Drama
Festivals are places where theatrical risks may be taken.
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The
word “Festival” suggests a celebration, and that
is what should be evident at such an event – drama companies
striving for an ever-improving standard of theatre in an exciting,
challenging, joyful atmosphere.
So don’t be satisfied with the “Darling, you were wonderful!” from
friends and family. Take the bold step and find out the truth from an adjudicator!
If you truly were wonderful, how much more gratifying to hear it from an
expert!
My own group has been entering festivals for over two decades now and have
learned considerably from the experiences, and have progressed to two National
All-Winners Finals. The challenges and excitement we get from travelling far
and wide with a play would be sorely missed if we were to revert to our previous
insular existence.
Adjudicators are often an act in themselves – entertaining as
well as knowledgeable. They couch criticism in a constructive way and
at an appropriate
level so that teams need not recoil from the experience.
Go
on – Be Brave! ARE YOU BOLD ENOUGH?
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